Carl Nielsen
Fem klaverstykker, opus 3
Five Piano Pieces, Opus 3
Opus 3
CNW 81
CNUCarl Nielsen Udgaven (The Carl Nielsen Edition. Royal Danish Library: Copenhagen 1998–2009)
II/12
CNSCarl Nielsens Samling (The Carl Nielsen Collection, Royal Danish Library, Copenhagen)
10
FSDan Fog & Torben Schousboe: Carl Nielsen kompositioner. En Bibliografi. København 1965.
10
Dedicatee: Orpheline Olsen
Composition: 1887–91.
Fem klaverstykker, Op. 3, was Nielsen's first collection of piano music to be published. It was prepared during his extended European study tour in 1890–91. However, two of the pieces (Nos. 2, 5) are of an earlier date.
Music
1. Folketone
Folk Tune
Andante
2. Humoreske
Humoresque
Allegretto giocoso
3. Arabeske
Arabesque
Moderato
4. Mignon
Moderato grazioso5. Alfedans
Elf's Dance
Tempo di valse
Sources
Score, autograph, fair copy and manuscript copy (Nos. 2 and 5)
Score, sketch (Nos. 1, 2 and 4)
Score, sketch (No. 3)
Score, sketch (No. 5)
Score, print
-
Carl Nielsen's copy
DK-Odense, Carl Nielsen Museet.CNU Source A.
Score, print (No. 5)
Performances
6 Dec. 1902 | Behrendts Hotel, Middelfart. Haandværkerforeningens Koncert. Elf's Dance (Alfedans) only. Performed on violin and piano. Possibly first performance. Evidence: Middelfart Venstreblad, 4 Dec. 1902, p. 3. mediestream.dk |
26 Nov. 1916 | Copenhagen (performer: C. Wendelboe-Jensen, piano). Folk Tune (Folketone) and Humoresque (Humoreske) only. |
4 Oct. 1926 | Radiostudiet, Købmagergade, Copenhagen (performer: Ernst Nielsen, piano). |
12 Aug. 1929 | Axelborg, Copenhagen (performer: Elga Gaspari, piano). |
26 Mar. 1930 | Odd Fellow Palæet, Copenhagen (performer: Richard Østerfelt, piano). |
7 Nov. 1930 | Oslo (performer: Carl Schnedler-Meyer, piano). |
17 May 1931 | Axelborg, Copenhagen (performer: Esther Vagning, piano). Humoresque (Humoreske) only. |
13 July 1931 | Axelborg, Copenhagen (performer: Carl Schnedler-Meyer, piano). Humoresque (Humoreske) only. |
Documents
Letters:
Diary entries:
Bibliography
Bendt Astrup Pedersen: Carl Nielsens klavermusik: i tilslutning til en redegørelse for formverdenen i Carl Nielsens klavermusik ønskes specielt en undersøgelse af det særegne i hans melodik, som det kommer til orde i disse værker. University of Copenhagen: 1960. Speciale.
Sarah Johnston Reid: Tonality's Changing Role: A Survey of Non-concentric Instrumental Works of the Nineteenth Century. University of Texas: Austin 1980. Ph.D. dissertation.
Mina F. Miller (ed.): The Complete Solo Piano Music of Carl Nielsen. Edition Wilhelm Hansen: Copenhagen 1982.
Mina Miller: 'Interlude 7: Rhythm, Metre and Accent', in: Mina Miller (ed.): The Carl Nielsen Companion (London 1994), pp. 534–40.
Daniel M. Grimley: Carl Nielsen and the Idea of Modernism. The Boydell Press: Woodbridge 2010.
Last changed 2022-12-02 by MerMEId